Alistair was hired to check out Maddy Clare’s ghost, now living in the barn where she hanged herself. We’ll come to that, and it’s kinda a surprise to Sarah when she’s thrown into the lion’s den, headfirst and armed with only a newfangled camera and recording device. He needs an assistant, you see, because his usual assistant is off on personal matters, and besides, he MUST have a female. She trots off to the coffeehouse to meet one Alistair Gellis, a man of boyish good looks, earnest, exuberant, and oh? He wants her to come help him with a haunting he’s super duper keen to document. Sarah Piper is barely making ends meet by being a temp worker, so when she gets a call to see, posthaste! a very strange man who’s asking for some very strange things? Well, she’s heard of THAT type before, but danged if she’s in a position to say no. James listened to her audience, and thank GOD!!!! her work has been done by different narrators!ĭreary, dreary, wet and dreary England in the 1920s, just a few years past WWI. James, and upon starting the listening of The Haunting of Maddy Clare? I’d shot off an email to a good friend titled: Spoooooky!!! Cuz, dude! it was creeping me out! Upon finishing it? Well, all I can tell you is that, judging from her later works? Thank GOSH St. James, and you can tell… plus? Oy, Garelick!!!
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